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Listings are as accurate as possible, based upon information available as the catalog went to press. All new title information is approximate. Actual prices for new titles are set at the time of publication.

African Diaspora in the Cultures of Latin America, the Caribbean, and the United States
Edited by Persephone Braham
Contributions by Paulina Alberto; Eddie Chambers; Monica Dominguez Torres; Colette Gaiter; Carla Guerron Montero; Carol E. Henderson; Camara Holloway; Wayne G. Marshall; Julie L. McGee; Robin D. Moore; Ifeoma Nwankwo; Phillip Penix-Tadsen and Lorrin Thomas.

Scholars of the African Americas are segregated from one another by region or period, by language, and by discipline. Bringing together essays on fashion, the visual arts, film, literature, and history, this volume shows how our understanding of the African diaspora in the Americas can be enriched by crossing disciplinary boundaries to recontextualize images, words, and thought as part of a much greater whole. Diaspora describes dispersion, but also the seeding, sowing, or scattering of spores that take root and grow, maturing and adapting within new environments. The examples of diasporic cultural production explored in this volume reflect on loss and dispersal, but they also constitute expansive and dynamic intellectual and artistic production, neither wholly African nor wholly American (in the hemispheric sense), whose resonance deeply inflects all of the Americas. This volume offers a window into the enormous diversity and depth of intellectual and artistic production arising from the Middle Passage, and a call for new, more collaborative and complex approaches to the subject of the African diaspora.
December 2014 ISBN: 978-1611495379 $70.00

Character and the Individual Personality in English Renaissance Drama: Tragedy, History, Tragicomedy
by John Curran
Character and the Individual Personality in English Renaissance Drama: Tragedy, History, Tragicomedy studies instantiations of the individualistic character in drama, Shakespearean and non-Shakespearean, and some of the Renaissance ideas allowing for and informing them. Setting aside such fraught questions as the history of Renaissance subjectivity and individualism on the one hand and Shakespearean exceptionalism on the other, we can find that in some plays, by a range of different authors and collaborators, a conception has been evidenced of who a particular person is, and has been used to drive the action. This evidence can take into account a number of internal and external factors that might differentiate a person, and can do so drawing on the intellectual context in a number of ways. Ideas with potential to emphasize the special over the general in envisioning the person might come from training in dialectic (thesis vs hypothesis) or in rhetoric (ethopoeia), from psychological frameworks (casuistry, humor theory, and their interpenetration), or from historiography (exemplarity). But though they depicted what we would call personality only intermittently, and with assumptions different from our own about personhood, dramatists sometimes made a priority of representing the workings of a specific mind: the patterns of thought and feeling that set a person off as that person and define that person singularly rather than categorically. Some individualistic characters can be shown to emerge where we do not expect, such as with Fletcherian personae like Amintor, Arbaces, and Montaigne of The Honest Man’s Fortune; some are drawn by playwrights often uninterested in character, such as Chapman’s Bussy D’Ambois, Jonson’s Cicero, and Ford’s Perkin Warbeck; and some appear in being constructed differently from others by the same author, as when Webster’s Bosola is set in contrast to Flamineo, and Marlowe’s Faustus is set against Barabas. But Shakespearean characters are also examined for the particular manner in which each troubles the categorical and exhibits a personality: Othello, Good Duke Humphrey, and Marc Antony.
August 2014 ISBN: 978-1611495041 $95.00

Dr. John Moore, 1729–1802: A Life in Medicine, Travel, and Revolution
by Henry L. Fulton
This book is a "first" biography of Scottish-born physician John Moore: his childhood, education, and medical training in Glasgow and abroad; his marriage, family, and friendships (particularly with Tobias Smollett); and his professional practice in the north. Then the narrative relates his experience conducting a young nobleman on the Grand Tour through Europe and provides an unusually detailed account of the tour's highlights and difficulties. When they return, the physician moves his family to London to begin a second career in literature and to acquire patronage for his sons’ professions. This biography covers not only his publications but discusses his circle of friends among nobility, politicians, artists, and others. The last third of this book emphasizes his involvement in the French Revolution, his correspondence with Robert Burns, and his strained family relationships. There is also material on Moore's finances drawn from archival records in Glasgow and Edinburgh and his bank ledgers in London.
December 2013 ISBN: 978-1611494938 $150.00

Early Modern Drama in Performance: Essays in Honor of Lois Potter
Edited by Mark Netzloff, Bradley Ryner and Darlene Farabee
Early Modern Drama in Performance is a collection of essays in honor of Lois Potter, the distinguished author of five monographs, including most recently The Life of William Shakespeare (Blackwell, 2012), and numerous articles, edited collections, and editions. This collection’s emphasis on Shakespearean and early modern drama reflects the area for which Potter is most widely known, as a performance critic, editor, and literary scholar. The essays by a diverse group of scholars who have been influenced by Potter address recurring themes in her work: Shakespeare and non-Shakespearean early modern drama, performance history and theatre practice, theatrical performance across cultures, play reviewing, and playreading. What unifies them most, though, is that they carry on the spirit of Potter's work: her ability to meet a text, a performance, or a historical period on its own terms, to give scrupulous attention to specific details and elegantly show how these details generate larger meaning, and to recover and preserve the fleeting and the ephemeral.
November 2014 ISBN: 978-1611495126 $70.00

Gender and Genre: German Women Write the French Revolution
by Stephanie Hilger
In the wake of the French Revolution, history was no longer imagined as a cyclical process in which the succession of ruling dynasties was as predictable as the change in the seasons. Contemporaries wrestled with the meaning of this historical rupture, which represented both the progress of the Enlightenment and the darkness of the Terreur. French authors discussed the political events in their country, but they were not the only ones to do so. As the effects of the French Revolution became more palpable across the border, German authors pondered their implications in newspapers, political pamphlets, and historiographical treatises. German women also participated in these debates, but they often embedded their political commentary in literary texts because they were discouraged, and sometimes even barred, from publishing in explicitly political and public venues. As such, literature, in the sense of belles lettres, had a compensatory function for women: it allowed them to engage in political discussion without explicitly encroaching on certain domains that were perceived as a male preserve.

As women writers explored the uses of literature for political commentary, they adapted major literary genres in order to consolidate their position in the late eighteenth- and early nineteenth-century literary sphere. Those genres included domestic fiction, the historical novel, historical tragedy, autobiography, the Robinsonade, and the Bildungsroman. Women writers challenged the images of women traditionally portrayed in these genres: dutiful daughter, submissive wife, caring mother, tantalizing mistress, angelic figure, and passive victim. Gender and Genre discusses six women writers who replaced these traditional female types with women warriors and emigrants as protagonists in texts published between 1795 and 1821: Therese Huber, Caroline de la Motte Fouqué, Christine Westphalen, Regula Engel, Sophie von La Roche, and Henriette Frölich. These authors' protagonists question traditional images of passive femininity, yet their battered bodies also depict the precarious position of women in general, and women writers in particular, during this period. Because women writers were attacked by their male counterparts who attempted to halt their foray into the literary marketplace, these texts are as much about power dynamics in the German literary establishment as they are about French politics.
November 2014 ISBN: 978-1611495294 $70.00

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