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Listings are as accurate as possible, based upon information available as the catalog went to press. All new title information is approximate. Actual prices for new titles are set at the time of publication.Montaigne and the Lives of the Philosophers: Life Writing and Transversality in the Essais
by Alison Calhoun
In his Essais, Montaigne stresses that his theoretical interest in philosophy goes hand in hand with its practicality. In fact, he makes it clear that there is little reason to live our lives according to doctrine without proof that others have successfully done so. Understanding Montaigne’s philosophical thought, therefore, means not only studying the philosophies of the great thinkers, but also the characters and ways of life of the philosophers themselves. The focus of this book is how Montaigne assembled the lives of the philosophers on the pages of his Essais in order to grapple with two fundamental aims of his project: first, his desire to transform the teaching of moral philosophy, and next, as part of a transverse construction of his self in writing. Both of these objectives grew out of a dialogue with the structure and content in the life writing of Plutarch and Diogenes Laertius, authors whose books were bestsellers during the essayist’s lifetime.
December 2014 ISBN: 978-1611494792 $70.00 Nature, Politics, and the Arts: Essays on Romantic Culture in Honor of Carl Woodring
Edited by Hermione de Almeida
Contributions by Nina Auerbach, John Clubbe, Carl Dawson, William Theodore de Bary, George H. Gilpin, William Carl Gilpin, Jonathan Gross, Regina Hewitt, Steven E. Jones, Marsha Manns, Martin Meisel, Anne K. Mellor, Morton D. Paley, Robert L. Patten, Donald H. Reiman, Ben P. Robertson, Robert M. Ryan, G. Thomas Tanselle, Carol Kyros Walker and Elizabeth Kowaleski Wallace. This interdisciplinary book honors Columbia professor and New York intellectual Carl Woodring. Ten chapters on Romantic and Victorian literary culture written by leading scholars in the field join in conversation with Woodring’s teachings on literature and visual art and his commentaries on American culture. A multiple-authored chapter of postscripts on the aesthetic range of Woodring’s intellectual interests across cultural disciplines, his contributions to English studies and his informing influence on several generations of scholars, and their areas of interest, follows. A chapter from Woodring's unpublished autobiography, on his childhood in small-town America, then concludes the volume with an ironic retrospection on intercultural origins. Topics addressed among the chapters include portraiture and self-fashioning, landscape art, physiognomy and caricatures, radical print ephemera, illustrated picaresque verse, social and political satire, traditions of the sublime in art and literature, transatlantic influences and aesthetics, chaos theory and the laws of thermodynamics, the Caribbean slave trade, revolutionary history, Napoleonic wars, the politics of multicultural communities, gender and race, marginalia and textual revelations, Native America, historical interchanges in curating museum shows, and contemporary American sculpture and art. Cultural figures of the nineteenth century that are featured in the discussions include Henry Adams, Beethoven, Blake, Byron, Willa Cather, Thomas Cole, Coleridge, James Fenimore Cooper, George Cruikshank, Ugo Foscolo, Washington Irving, Keats, Willibrord Mähler, George Romney, Rowlandson, Shelley, and Wordsworth. Chapter essays, commentaries, and Carl Woodring's unpublished writings function together in Nature, Politics, and the Arts: Essays on Romantic Culture for Carl Woodring—with a depth of original perspectives and a multi-voiced and intercultural coherence. The book as a whole testifies to Woodring’s living and intellectually potent legacy for future students of nineteenth-century transatlantic culture and twenty-first century scholarship on literature and art.
January 2015 ISBN: 978-1611495409 $90.00 Octave Mirbeau's Fictions of the Transcendental
by Robert Ziegler
Political firebrand, tireless reformer, champion of the avant-garde, Octave Mirbeau embraced his role as disturber of the peace. Inspired by Kropotkine and Dostoyevsky, Mirbeau became the social conscience of the era, speaking in a clear voice to impugn capitalist ideology, to defend the cause of the worker, the child, the pauper, the prostitute, and the soldier sacrificed as cannon fodder. Mirbeau's critiques of society seethe with indictments of indoctrinating agencies: the family, which stifled the child's freedom and expressive creativity, the school, which besotted students with the aridity of its curriculum, the army, which privileged patriotism over the sanctity of life, the church, which sanctified suffering, perverted instinct, and alienated the faithful from nature. Yet Mirbeau shared the admiration of fin-de-siècle zealots for the pariahs, tramps, and beggars rehabilitated in the Scripture. The personal trials of the misbegotten became an insignia of election. Those marginalized by society experienced damnation here below yet had glimpses of the bliss they hoped might await them somewhere higher. Yet it was not just in the less fortunate that Mirbeau sought evidence of the supra-rational. Generally neglected by critics, Mirbeau's interest in the unknown and the inexpressible informed virtually all of his writing and helped shape his views on artistic work and political struggle. For this reason, this study sets out to analyze the spiritual politics of the author. As Mirbeau was becoming involved in the escalating controversy over the Dreyfus case and cementing his alliance with prominent anarchists, he was also undergoing a uniquely personal spiritual evolution. Here this volume breaks new ground, exploring the author's secular metaphysic, charting his investigation of the spiritually transfiguring experience that redeems man's desolate existence. What begins as Mirbeau's indictment of Catholicism's death-glorifying ethos, his attempt to find refuge from life's pain in the blessedness of Nirvana, becomes a pursuit of mystical diffusion into the community of others. Showing how Mirbeau controverts the existence of a Christian god, this study argues that Mirbeau never abandons his exploration of life's mysteries, apprehensions of the infinite that come from a refinement of his art and an identification with his brothers.
May 2015 ISBN: 978-1611495614 $75.00 Representation, Heterodoxy, and Aesthetics: Essays in Honor of Ronald Paulson
Edited by Ashley Marshall
Contributions by John Barrell; Ann Bermingham; Robert Folkenflik; Robert D. Hume; Michael McKeon; J. Hillis Miller; Mary Poovey; William L. Pressly and Claude Rawson. The chapters constituting this book are different in subject and method, striking testimony to the range of Paulson’s interests and the versatility of his critical powers. In his prolific career he has produced extensive analysis of art, poetry, fiction, and aesthetics produced in England between 1650 and 1830. Paulson’s unique contribution has to do with his understanding of "seeing" and "reading" as closely related enterprises, and "popular" forms in art and literature as intimately connected—connections illustrated by literary critics and art historians here. Every essay shares some of the concerns and methods that characterize Paulson's wonderfully idiosyncratic thought—except for the final essay, an attempt systematically to analyze Paulson's critical principles and methods. Recurrent themes are a concern with satire in the eighteenth century; a connection between verbal and visual reading; an insistence on the importance of individual artistic choices to the history of culture; an attention to the aims and motives of individual makers of art; and a sensitivity to the crucial links between high and low art. This volume offers rich explorations of a range of subjects: Swift’s relationship to Congreve; Zoffany's condemnation of Gillray and Hogarth, and broader implications for the role of art in public discourse; the presentation of mourning in the work of the Welsh artist and writer Edward Pugh; G. M. Woodward's "Coffee-House Characters," representing a turn from satire on morals towards satire on manners; Adam Smith's evolving aesthetic program; Samuel Richardson's notions of social reading. The discussions represent a variety of exemplifications of the Paulsonesque, showing a concern with satiric representation in mixed media, with different forms of heterodoxy and iconoclasm, and with the values of producers of popular and polite culture in this period.
January 2015 ISBN: 978-1611495348 $80.00 The Representation of the Struggling Artist in America, 1800–1865
by Erika Schneider
This book analyzes how American painters, sculptors, and writers active between 1800 and 1865 depicted their response to a democratic society that failed to adequately support them financially and intellectually. Without the traditional European forms of patronage from the church or the crown, American artists faced unsympathetic countrymen who were unaccustomed to playing the role of patron and less than generous in rewarding creativity. It was in this unrewarding landscape that American artists in the first half of the nineteenth century employed the "struggling" or "starving artist" image to criticize the country's lack of patronage and immortalize their own struggles. Although the concept of the struggling artist is well known, only a select few artists chose to represent themselves in this negative manner. Using works from five decades, Schneider demonstrates how the artists, such as Washington Allston, Charles Bird King, David Gilmour Blythe, represented a larger phenomenon of artistic struggle in America. The artists' journals, letters, and biographies reveal how native artists' desire to create imaginative works came in conflict with American patrons’ more practical interests in portraiture and later in the century, genre work. If artists wanted to avoid financial struggle, they had to learn to capitulate to patrons' demands. This intellectual struggle would prove the most difficult. In addition to the fine arts, the struggling artist type in essays, poems, short stories, and novels, whose tales mirror the frustrations facing fine artists, are also considered. Through an examination of the development of art academies and exhibition venues, this study traces the evolution of a young nation that went from considering artists as mere craftsmen to recognizing them as important members of a civilized society.
May 2015 ISBN: 978-1611494129 $70.00
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