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Listings are as accurate as possible, based upon information available as the catalogue went to press. All new title information is approximate. Actual prices for new titles are set at the time of publication.

Notes and Remembrances, 1871-1872
Author: Ludovic Halévy
Preface and Translation: Roger L. Williams
This is an eyewitness account of the brutal ending of the civil war in France in 1871; the military destruction of the Commune of Paris by the national government in Versailles; and the subsequent legal judgments rendered against the insurgents. Ludovic Halévy, better known as a librettist and novelist, was not only a gifted writer, but a practical note taker who carried a notebook and pencils everywhere he walked. He recorded the sights, sounds, and smells of those days, as perhaps only a man of the theater would have, providing a readable account not likely to be encountered in conventional histories. The special horror of civil war, and the irrational behavior of the crowd under such circumstances, has never been better portrayed. This is a book that will delight readers of popular history as well as students seeking the inside story. Roger L. Williams is retired from the University of Wyoming.
2010 ISBN 978-0-87413-085-0 $45.00

Notes from a Mandala: Essays in the History of Indian Religions in Honor of Wendy Doniger
Editors: Laurie L. Patton and David Haberman
Notes from a Mandala gathers together current work in the history, ethnography and textual study of religions in honor of the career of Wendy Doniger. Its authors are a new generation of leading scholars whose work falls in the interstices between the traditional disciplines: gender studies; the history of sexuality; the role of textual study and translation in the early twenty-first century; the borders between myth and literature; and the place between ethnography and history of religions. Whether they are about history of religions, sexuality, politics, cross-cultural translation, or the slipperiness of categories, these essays honor a woman who has given many in the field a vocabulary for true scholarly conversation. Laurie L. Patton is Charles Howard Candler Professor of Early Indian Religions at Emory University. David Haberman teaches Hinduism in the Department of Religion at Indiana University.
2010 ISBN 978-0-87413-060-7 $50.00

The Ogre’s Progress: Images of the Ogre in Modern and Contemporary French Fiction
Author: Jonathan F. Krell
This book examines how modern French fiction writers have appropriated the ogre figure in order to evoke violence in all its voracity, as well as destructive time, which eats away the moments of our lives as the prototypical ogre of Western literature, Cronus, who devoured his own children. The ogre is a ubiquitous figure that appears not only in mythology and literature, but in real life. For French authors haunted by the horrors of World War II, it symbolizes the abominations of the Nazis and their French collaborators, whose memory has been rekindled in recent years, initiating a national malaise that historians have come to call the “Vichy Syndrome.” For other writers, the ogre is the sexual deviate who preys upon the innocent. This ogre too has roots in recent history: it began to appear in the 1970s, coinciding with the rise of French feminism, when violence towards women and children finally began to be openly confronted. Jonathan F. Krell teaches modern and contemporary French literature and business French at the University of Georgia.
November 2009 ISBN 978-0-87413-065-2 $54.50

Producing the Eighteenth-Century Book: Writers and Publishers in England, 1650-1800
Editors: Laura Runge and Pat Rogers
This volume includes twelve essays on the history of the book in the long eighteenth century that collectively argue for the importance of integrating literary scholarship and the various practices of book history. Themes include: a rectification of the tendency in literary studies to be blind to the materiality of the book; a focus on the ways that eighteenth-century expectations for books differ from contemporary ideas; the identification of the roles of writers and publishers as reciprocal and competing; the development of modern conventions of the material book; the ways in which the forms of books inform and influence literature and vice versa; the significance of commercial pressures on eighteenth-century book production; the parallels to be drawn between the eighteenth-century expansion of print and our own transformation to digital media. Detailed attention is given to Pope, Manley, Johnson, Richardson, Burney, Curll, and Dodsley among others. The book contains thirty-five illustrations. Laura L. Runge is a professor of English and Director of Graduate Studies at the University of South Florida. Pat Rogers is DeBartolo Professor in the Liberal Arts at the University of South Florida.
October 2009 ISBN 978-0-87413-069-0 $54.50

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